French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.  Related Paintings of Nicolas Poussin :. | St Cecilia (mk08) | The Empire of Flora | Destruction of the temple of Ferusalem by Titus | The Triumph of Flor (mk05) | L ete ou Ruth et Booz |
Related Artists:
st ambrose
Milan; feast day December 7) Bishop of Milan. Raised in Rome, he became a Roman provincial governor. As a compromise candidate, he was unexpectedly elevated from unbaptized layman to bishop of Milan in 374. He established the medieval concept of the Christian emperor as subject to episcopal advice and censure when he forced the emperor Theodosius to seek forgiveness from the bishop, and he opposed tolerance for adherents of Arianism. He wrote theological treatises influenced by Greek philosophy, including On the Holy Spirit and On the Duties of Ministers, as well as a series of hymns. His brilliant sermons and personal example converted St. Augustine.
Vladimir Tatlin
1885-1953,Ukrainian sculptor and painter. After a visit to Paris (1914), he became the leader of a group of Moscow artists who sought to apply engineering techniques to sculpture construction, a movement that developed into Constructivism. He pioneered the use of iron, glass, wood, and wire in nonrepresentational constructions. His Monument to the Third International, commissioned by the Soviet government, was one of the first buildings conceived entirely in abstract terms and was intended to be, at more than 1,300 ft (400 m), the world's tallest structure. A model was exhibited at the 1920 Soviet Congress, but the government disapproved of nonfigurative art and it was never built. After 1933 Tatlin worked largely as a stage designer.
David Martin
painted Portrait of Elizabeth Rennie, Viscountess Melville in 1750-1847